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    • 25.05.2023 – Call for projects launched for the 2024/25 season
    • 16.05.2023 – „Fundstadt“: Premiere in Bremen and Gelsenkirchen
    • 15.05.2023 – Beyond Opera – Ways and Forms of New Music Theatre
    • 21.03.2023 – Film of „Obsessions“ published
    • 09.02.2023 – New production selected
  • Projects
    • FREEDOM COLLECTIVE (Vincze/Horwitz/Hut Kono/Emmerich) 2023/24
    • FUNDSTADT (Hiatus) 2022/23
    • OBSESSIONS (Oblivia / Yiran Zhao) 2021/22
    • KITESH (Hauen und Stechen) 2020/21
    • CHAOSMOS (Sinan/Rausch/Kästner) 2019/20
    • CHAOSMOS – THE FILM (Sinan/Rausch/Kästner) 2019/20
  • Calendar
  • Process
    • 26.04.2023 – Eating socks and shooting lightning in Gelsenkirchen
    • 05.02. 2023 – „XinSheng“ is now called „Freedom Collective“ / Davor Vincze receives Stuttgart Composition Prize
    • 14.01. – 28.01.2023: Second workshop phase for „Fundstadt“ in Bremen and Gelsenkirchen
    • 03.12.2022 – „Obsessions“ in Wuppertal
    • 07.11.2022 – Further work on „Obsessions“ begins in Wuppertal
    • 22.10.2022 – Start of the practical theatre work on the „Fundstadt“ project
    • 20.10.2022 – The NOperas! project for the 2023/2024 season has the working title „Xinsheng“.
    • 13.09.2022 – Jury meeting in Düsseldorf
    • 07.07.2022 – Premiere „Kitesh“ in Bremen
    • 19.06.2022 – Survival training with HIATUS in Zurich
    • 01.06.2022 – Darmstadt comes on board / New call for projects / Review
    • 19.02.2022 – Premiere „Obsessions“ in Bremen
    • 12.10.2021 – Oblivia begins workshop work in Bremen
    • 11.10.2021 – Decision-making processes / New project for 2023: An as yet unnamed theatre work by the HIATUS group.
    • 06.09.2021 – Difficult times for Wuppertal Opera
    • 08.07.2021 – Summer 21: Looking back on a hurdle race
    • 23.06.2021 – Jury meeting
    • 16.06.2021 – Oblivia Production Diary 3
    • 28.05.2021 – Oblivia Production Diary 2
    • 16.04.2021 – Oblivia start their „production diary“.
    • 03.03.2021 – NOperas! enters a new round. Bremen and Gelsenkirchen are taking part
    • 01.01.2021 – Theatre and digitality
    • 22.12.2020 – Hyvää Joulua – 圣诞节快乐!
    • 15.12.2020 – Wuppertal: New plans for „Kitesh“
    • 23.10.2020 – Halle: Premiere „Kitesh“
    • 14.10.2020 – Halle: Main rehearsal “Kitesh
    • 23.09.2020 – NOperas! is also back from the summer break
    • 06.07.2020 – Halle: Pre-rehearsals „Kitesh“ start
    • 23.06 and 30.06.2020 – The third round is now underway
    • 26.05.2020 – Halle, Wuppertal, Bremen: Update
    • 05.05.2020 – Halle: Masquerade
    • 10.04.2020 – Karlsruhe: Crisis management
    • 06.04.2020 – Berlin /Halle: A brief media history
    • 03.04.2020 – Halle: Aria in costume and mask
    • 26.03.2020 – Shutdown
    • 12.03.2020 – Halle: How to go on?
    • 02.03.2020 – Halle: NOperas! falls in at the Saale
    • 15.02.2020 – Wuppertal / Düsseldorf: The third round has begun
    • 29.01.2020 – Bremen: construction trial „Chaosmos“
    • 24.01.2020 – Berlin: Work meeting „Kitesh
    • 20.01.2020 – Press review
    • 11.01.2020 – “Chaosmos” premiere in Wuppertal
    • 09.01.2020 – Wuppertal: Final rehearsal „Chaosmos“ and working meeting „Kitesh“
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FUNDSTADT (Hiatus) 2022/23

Season 2022/23

HIATUS
Fundstadt

© Hiatus

In cooperation with “Blickfelder Festival” (Zurich)

Production / Composition / Musical direction: Hiatus (Duri Collenberg, Uta Plate, Lukas Rickli)
Video: Piet Esch, Aaike Stuart
App development: Sorin Marti

Team. The music theatre collective HIATUS consists of the two Swiss musicians Duri Collenberg and Lukas Rickli and the German theatre-maker Uta Plate. It began its collaboration in 2020 in a production by Theater Chur. HIATUS locates its work in the field of participatory projects involving non-professional performers and a research approach that focuses on the psychosocial classification of their personal histories.

Project. “Fundstadt” takes the audience on a journey that leads from the theatre to the public space and finally from there back to the theatre. Music theatre and musical performance merge with the genres of audio and video walk. The project focuses on the experiences of three children from different social backgrounds from the participating cities of Bremen and Gelsenkirchen. Within the framework of the development of the piece, they act as co-creators on an essential level. HIATUS works with them at eye level and offers them extensive visual and compositional scope to describe the reality of their lives.

“Fundstadt” sees itself as an experiment not only by bringing together current forms of a participatory theatre approach with those of contemporary music theatre. As a theatre by children, with children and about children, the performance aims at the same time beyond the field of cultural education as well as beyond a theatre that is itself primarily intended for children and young people.

“Fundstadt” is being developed in cooperation with the Zurich “Blickfelder Festival”. In June 2022, an installation work entitled “Vier Viertel” (Four Quarters) preceded it, which initially tested the element of audio and video walks without the participation of live actors.

Initial production: Theater Bremen (premiere: 02.06.2023)
Further development: Musiktheater im Revier (premiere: 16.06.2023)

Dates: 02.06., 03.06., 04.06. (Theater Bremen), 16.06., 17.06., 18.06. (Musiktheater im Revier)

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