• NOperas!
    • How NOperas! works
    • Call for Projects
    • Jury
    • Partners
    • Contact
  • News
    • Die Kantine: Premiere on 27 February in Münster
  • Projects
    • DIE KANTINE (Nico Sauer) 2025/26
    • OPER OTZE AXT (Dritte Degeneration Ost) 2024/25
    • FREEDOM COLLECTIVE (Emmerig/Horwitz/Hut Kono/Vincze) 2023/24
    • FUNDSTADT (Hiatus) 2022/23
    • OBSESSIONS (Oblivia / Yiran Zhao) 2021/22
    • FUNDSTADT – THE FILMS (Hiatus) 2022/23
    • KITESH (Hauen und Stechen) 2020/21
    • CHAOSMOS (Sinan/Rausch/Kästner) 2019/20
    • CHAOSMOS – THE FILM (Sinan/Rausch/Kästner) 2019/20
  • Calendar
  • Process
    • 09.05.2025 – Nico Sauer: Interim report ‘Die Kantine’
    • 12.04.2025 – Roland Quitt (feXm): OPER OTZE AXT in Gelsenkirchen
    • 01.04.2025 Chiara Marcassa: Styling in times of upheaval – costume, fashion and individuality at OPER OTZE AXT
    • 24.02.2025 – Roland Quitt (feXm): OPER OTZE AXT – Darmstadt premiere
    • 18.01.2025 – Roland Quitt (feXm): OPER OTZE AXT – Punk?
    • 05.12.2024 – Roland Quitt (feXm): OPER OTZE AXT – Workshop in Darmstadt
    • 16/17.11.2024 – Roland Quitt (feXm): ‘Die Kantine’ – What kind of spaces does theatre need?
    • 10.11.2024 – Roland Quitt [feXm]: Construction rehearsal and stage of OPER OTZE AXT / And a brief digression on beauty
    • 18.10.2024 – Roland Quitt [fexm]: NOperas! in difficult times / Nico Sauer is responsible for the next feXm project.
    • 20.09.2024 – Anne Inken Bickert (Dritte Degeneration Ost): ‘What does a day in the life of a production manager sound like?’
    • 15.08.2024 – Antonia Beeskow (Dritte Degeneration Ost): ‘I hear what I say. I say what I hear’ / String movements, pipes and subbotnik
    • 24.05.2024 – Freedom Collective in Darmstadt
    • 06.05.2024 – Frithjof Gawenda (Dritte Degeneration Ost): Stage design meeting in Kassel
    • 04.04.2024 – Mathias Baresel (Dritte Degeneration Ost): Music meeting OPER OTZE AXT in Berlin (25-27 March)
    • 10.02.2024: Musiktheater im Revier Gelsenkirchen – Premiere „Freedom Collective“
    • 04.01-12.01.2024: Stralsund – work on OPER OTZE AXT
    • 09.10.2023 – Wuppertal: The new feXm project is called „Oper Otze Axt“
    • 28.09.2023 – Gelsenkirchen: Mock up set rehearsal
    • 02.06./16.06 2023 – Fundstadt in Bremen and Gelsenkirchen
    • 01.06.2023 – Tunnel oracle in Bremen
    • 11.05. 2023 – „Freedom Collective“ round trip
    • 26.04.2023 – Eating socks and shooting lightning in Gelsenkirchen
    • 05.02. 2023 – „XinSheng“ is now called „Freedom Collective“ / Davor Vincze receives Stuttgart Composition Prize
    • 14.01. – 28.01.2023: Second workshop phase for „Fundstadt“ in Bremen and Gelsenkirchen
    • 03.12.2022 – „Obsessions“ in Wuppertal
    • 07.11.2022 – Further work on „Obsessions“ begins in Wuppertal
    • 22.10.2022 – Start of the practical theatre work on the „Fundstadt“ project
    • 20.10.2022 – The NOperas! project for the 2023/2024 season has the working title „Xinsheng“.
    • 13.09.2022 – Jury meeting in Düsseldorf
    • 07.07.2022 – Premiere „Kitesh“ in Bremen
    • 19.06.2022 – Survival training with HIATUS in Zurich
    • 01.06.2022 – Darmstadt comes on board / New call for projects / Review
    • 19.02.2022 – Premiere „Obsessions“ in Bremen
    • 12.10.2021 – Oblivia begins workshop work in Bremen
    • 11.10.2021 – Decision-making processes / New project for 2023: An as yet unnamed theatre work by the HIATUS group.
    • 06.09.2021 – Difficult times for Wuppertal Opera
    • 08.07.2021 – Summer 21: Looking back on a hurdle race
    • 23.06.2021 – Jury meeting
    • 16.06.2021 – Oblivia Production Diary 3
    • 28.05.2021 – Oblivia Production Diary 2
    • 16.04.2021 – Oblivia start their „production diary“.
    • 03.03.2021 – NOperas! enters a new round. Bremen and Gelsenkirchen are taking part
    • 01.01.2021 – Theatre and digitality
    • 22.12.2020 – Hyvää Joulua – 圣诞节快乐!
    • 15.12.2020 – Wuppertal: New plans for „Kitesh“
    • 23.10.2020 – Halle: Premiere „Kitesh“
    • 14.10.2020 – Halle: Main rehearsal “Kitesh
    • 23.09.2020 – NOperas! is also back from the summer break
    • 06.07.2020 – Halle: Pre-rehearsals „Kitesh“ start
    • 23.06 and 30.06.2020 – The third round is now underway
    • 26.05.2020 – Halle, Wuppertal, Bremen: Update
    • 05.05.2020 – Halle: Masquerade
    • 10.04.2020 – Karlsruhe: Crisis management
    • 06.04.2020 – Berlin /Halle: A brief media history
    • 03.04.2020 – Halle: Aria in costume and mask
    • 26.03.2020 – Shutdown
    • 12.03.2020 – Halle: How to go on?
    • 02.03.2020 – Halle: NOperas! falls in at the Saale
    • 15.02.2020 – Wuppertal / Düsseldorf: The third round has begun
    • 29.01.2020 – Bremen: construction trial „Chaosmos“
    • 24.01.2020 – Berlin: Work meeting „Kitesh
    • 20.01.2020 – Press review
    • 11.01.2020 – “Chaosmos” premiere in Wuppertal
    • 09.01.2020 – Wuppertal: Final rehearsal „Chaosmos“ and working meeting „Kitesh“
  • Media
  • feXm
    • About
    • Responsible body
  • Facebook
  • Instagram
  • DE
  • EN

FUNDSTADT (Hiatus) 2022/23

Season 2022/23

HIATUS
Fundstadt

© Hiatus

In cooperation with “Blickfelder Festival” (Zurich)

Production / Composition / Musical direction: Hiatus (Duri Collenberg, Uta Plate, Lukas Rickli)
Video: Piet Esch, Aaike Stuart
App development: Sorin Marti

Team. The music theatre collective HIATUS consists of the two Swiss musicians Duri Collenberg and Lukas Rickli and the German theatre-maker Uta Plate. It began its collaboration in 2020 in a production by Theater Chur. HIATUS locates its work in the field of participatory projects involving non-professional performers and a research approach that focuses on the psychosocial classification of their personal histories.

Project. “Fundstadt” takes the audience on a journey that leads from the theatre to the public space and finally from there back to the theatre. Music theatre and musical performance merge with the genres of audio and video walk. The project focuses on the experiences of three children from different social backgrounds from the participating cities of Bremen and Gelsenkirchen. Within the framework of the development of the piece, they act as co-creators on an essential level. HIATUS works with them at eye level and offers them extensive visual and compositional scope to describe the reality of their lives.

“Fundstadt” sees itself as an experiment not only by bringing together current forms of a participatory theatre approach with those of contemporary music theatre. As a theatre by children, with children and about children, the performance aims at the same time beyond the field of cultural education as well as beyond a theatre that is itself primarily intended for children and young people.

“Fundstadt” was developed in cooperation with the Zurich “Blickfelder Festival”. In June 2022, an installation work entitled “Vier Viertel” (Four Quarters) preceded it, which initially tested the element of audio and video walks without the participation of live actors.

Initial production: Theater Bremen (premiere: 02.06.2023)
Further development: Musiktheater im Revier (premiere: 16.06.2023)

Dates: 02.06., 03.06., 04.06. (Theater Bremen), 16.06., 17.06., 18.06. (Musiktheater im Revier)


Photos from the premiere at the Bremen Theatre © Jörg Landsberg


Trailer

(Click on the name in the picture to see the video)

Janne
Ali
Jason
Nil
Pia
Sabina
Home Contact Press Responsible body Partners Imprint Privacy Policy What is NOperas!?