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    • NOperas! in Münster and Saarbrücken: New music theatre project selected
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    • DRAG SPIRITS: The Poet and the Sun (Laugsch/Haase) 2026/27
    • DIE KANTINE (Nico Sauer) 2025/26
    • OPER OTZE AXT (Dritte Degeneration Ost) 2024/25
    • FREEDOM COLLECTIVE (Emmerig/Horwitz/Hut Kono/Vincze) 2023/24
    • FUNDSTADT (Hiatus) 2022/23
    • OBSESSIONS (Oblivia / Yiran Zhao) 2021/22
    • FUNDSTADT – THE FILMS (Hiatus) 2022/23
    • KITESH (Hauen und Stechen) 2020/21
    • CHAOSMOS (Sinan/Rausch/Kästner) 2019/20
    • CHAOSMOS – THE FILM (Sinan/Rausch/Kästner) 2019/20
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  • Process
    • 09.05.2025 – Nico Sauer: Interim report ‘Die Kantine’
    • 12.04.2025 – Roland Quitt (feXm): OPER OTZE AXT in Gelsenkirchen
    • 01.04.2025 Chiara Marcassa: Styling in times of upheaval – costume, fashion and individuality at OPER OTZE AXT
    • 24.02.2025 – Roland Quitt (feXm): OPER OTZE AXT – Darmstadt premiere
    • 18.01.2025 – Roland Quitt (feXm): OPER OTZE AXT – Punk?
    • 05.12.2024 – Roland Quitt (feXm): OPER OTZE AXT – Workshop in Darmstadt
    • 16/17.11.2024 – Roland Quitt (feXm): ‘Die Kantine’ – What kind of spaces does theatre need?
    • 10.11.2024 – Roland Quitt [feXm]: Construction rehearsal and stage of OPER OTZE AXT / And a brief digression on beauty
    • 18.10.2024 – Roland Quitt [fexm]: NOperas! in difficult times / Nico Sauer is responsible for the next feXm project.
    • 20.09.2024 – Anne Inken Bickert (Dritte Degeneration Ost): ‘What does a day in the life of a production manager sound like?’
    • 15.08.2024 – Antonia Beeskow (Dritte Degeneration Ost): ‘I hear what I say. I say what I hear’ / String movements, pipes and subbotnik
    • 24.05.2024 – Freedom Collective in Darmstadt
    • 06.05.2024 – Frithjof Gawenda (Dritte Degeneration Ost): Stage design meeting in Kassel
    • 04.04.2024 – Mathias Baresel (Dritte Degeneration Ost): Music meeting OPER OTZE AXT in Berlin (25-27 March)
    • 10.02.2024: Musiktheater im Revier Gelsenkirchen – Premiere „Freedom Collective“
    • 04.01-12.01.2024: Stralsund – work on OPER OTZE AXT
    • 09.10.2023 – Wuppertal: The new feXm project is called „Oper Otze Axt“
    • 28.09.2023 – Gelsenkirchen: Mock up set rehearsal
    • 02.06./16.06 2023 – Fundstadt in Bremen and Gelsenkirchen
    • 01.06.2023 – Tunnel oracle in Bremen
    • 11.05. 2023 – „Freedom Collective“ round trip
    • 26.04.2023 – Eating socks and shooting lightning in Gelsenkirchen
    • 05.02. 2023 – „XinSheng“ is now called „Freedom Collective“ / Davor Vincze receives Stuttgart Composition Prize
    • 14.01. – 28.01.2023: Second workshop phase for „Fundstadt“ in Bremen and Gelsenkirchen
    • 03.12.2022 – „Obsessions“ in Wuppertal
    • 07.11.2022 – Further work on „Obsessions“ begins in Wuppertal
    • 22.10.2022 – Start of the practical theatre work on the „Fundstadt“ project
    • 20.10.2022 – The NOperas! project for the 2023/2024 season has the working title „Xinsheng“.
    • 13.09.2022 – Jury meeting in Düsseldorf
    • 07.07.2022 – Premiere „Kitesh“ in Bremen
    • 19.06.2022 – Survival training with HIATUS in Zurich
    • 01.06.2022 – Darmstadt comes on board / New call for projects / Review
    • 19.02.2022 – Premiere „Obsessions“ in Bremen
    • 12.10.2021 – Oblivia begins workshop work in Bremen
    • 11.10.2021 – Decision-making processes / New project for 2023: An as yet unnamed theatre work by the HIATUS group.
    • 06.09.2021 – Difficult times for Wuppertal Opera
    • 08.07.2021 – Summer 21: Looking back on a hurdle race
    • 23.06.2021 – Jury meeting
    • 16.06.2021 – Oblivia Production Diary 3
    • 28.05.2021 – Oblivia Production Diary 2
    • 16.04.2021 – Oblivia start their „production diary“.
    • 03.03.2021 – NOperas! enters a new round. Bremen and Gelsenkirchen are taking part
    • 01.01.2021 – Theatre and digitality
    • 22.12.2020 – Hyvää Joulua – 圣诞节快乐!
    • 15.12.2020 – Wuppertal: New plans for „Kitesh“
    • 23.10.2020 – Halle: Premiere „Kitesh“
    • 14.10.2020 – Halle: Main rehearsal “Kitesh
    • 23.09.2020 – NOperas! is also back from the summer break
    • 06.07.2020 – Halle: Pre-rehearsals „Kitesh“ start
    • 23.06 and 30.06.2020 – The third round is now underway
    • 26.05.2020 – Halle, Wuppertal, Bremen: Update
    • 05.05.2020 – Halle: Masquerade
    • 10.04.2020 – Karlsruhe: Crisis management
    • 06.04.2020 – Berlin /Halle: A brief media history
    • 03.04.2020 – Halle: Aria in costume and mask
    • 26.03.2020 – Shutdown
    • 12.03.2020 – Halle: How to go on?
    • 02.03.2020 – Halle: NOperas! falls in at the Saale
    • 15.02.2020 – Wuppertal / Düsseldorf: The third round has begun
    • 29.01.2020 – Bremen: construction trial „Chaosmos“
    • 24.01.2020 – Berlin: Work meeting „Kitesh
    • 20.01.2020 – Press review
    • 11.01.2020 – “Chaosmos” premiere in Wuppertal
    • 09.01.2020 – Wuppertal: Final rehearsal „Chaosmos“ and working meeting „Kitesh“
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OBSESSIONS (Oblivia / Yiran Zhao) 2021/22

Season 2021/2022

Oblivia / Yiran Zhao
Obsessions

Foto © Saara Autere

Concept, text: Oblivia
Artistic direction: Annika Tudeer
Composition, sound design, electronics: Yiran Zhao
Costumes: Tua Helve
Lighting design: Meri Ekola
Performance Dramaturg: Alice Ferl, Anna-Maija Terävä

Team. The theathre collective Oblivia was founded in Helsinki in 2000. Since then, it has made a name for itself internationally among audiences and critics with performances that transcend genre boundaries and confront major themes with extremely minimal theatrical means.

The musical works of Chinese composer Yiran Zhao aim at the interdisciplinary and often incorporate elements of the performative as well as those of the visual arts. Since 2014, they have been interpreted by renowned contemporary music ensembles and have been performed at renowned festivals.

Project. After the large-scale extravaganza of “Kitesh”, “Obsessions” took the audience on opposite paths. Oblivia stand for an ambiguously associative and highly stylized physical theater developed from improvisation. In a previous collaboration with Yiran Zhao, Oblivia had already set themselves the task of expanding their work into music theater. Now, the attempt was added to involve singers and actors of the city theater in their method of improvisation. The guiding principle was to remain that no single person would direct the performance and that all decisions would be made jointly. In a playfully associative way, the focus of “Obsessions” was on the power of desire as the driving force of human behavior. Initially, the participating instrumentalists were to be involved in the theatrical action, but the composition turned out to be so demanding that it demanded a conventional orchestra set-up in the end.

At the successful first performance in Bremen, there was still a clear difference between singers, actors, and Oblivia members in terms of physical performance; at the second version in Wuppertal, a homogeneous ensemble performed on stage, whose different origins were not noticeable. Yran Zhao had further developed her composition, paying particular attention to the fact that less dictation emanated from her on the development of the stage action.

Initial production: Theater Bremen (premiere: 19.02.2022)
Further development: Wuppertal Opera (premiere: 03.12.2022)

Dates: 19., 22., 27.02.2022 (Theater Bremen)
03.12.2022, 14.01.2023 (Wuppertal Opera)

Cast Bremen
Nerita Pokvytyte, Mariam Murgulia, Timotheus Maas, Karin Enzler,
Matthieu Svetchine, Annika Tudeer, Timo Fredriksson, Alice Ferl (Performance)
Flöte Hélène Freyburger (flute), Gregor Daul (oboe), Anatoli Jagodin (trombone),
Rose Eickelberg (percussion), Reinhold Heise (violin), Marie Daniels (viola)
Musical direction: Yu Sugimoto
Light: Norman Plathe-Narr

Cast Wuppertal
Rebecca Murphy (Soprano), Julia Reznik (Mezzosopran), Yisae Choi (Bassbariton),
Alice Ferl, Timo Fredriksson, Matthieu Svetchine, Annika Tudeer (Performance),
Sinfonieorchester Wuppertal
Musical direction: Tobias Deutschmann

Oblivia: What is the peace about? – From the rehearsal process in January 2021Herunterladen

Obessions Diary by Oblivia

oblivia.fi
yiranzhao.net


Trailer for »Obsessions« at Theater Bremen

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Photos from the premiere at the Theater Bremen © Jörg Landsberg


Photos from the rehearsal process in January 2021 © Oblivia

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