08.07.2021 – Summer 21: Looking back on a hurdle race
NOperas! celebrated its first premiere in Wuppertal in January 2020 with the first performance of “Chaosmos”. At the time, people in the canteens talked with horror about a strange virus that had spread in China and were still convinced that they were at a safe distance. This soon turned out to be a mistake and soon after NOperas! started, the theatre was no longer the same. Corona, then, is about the same age as NOperas!, has remained an uninvited companion to this support programme ever since and continues to force it down improvised paths to this day.
The planned further development of “Chaosmos” on the theatre level did not happen, rehearsals in Halle had begun and had to be cancelled. As so often in the past, a film was made as a substitute, which Bremen and Wuppertal presented on their websites.
Under tense conditions, “Kitesh” then had its first performance in Halle in autumn 2020. But here, too, the virus got in the way. There was only one further performance, the third could not take place due to changes in hygiene regulations.
After extensive preliminary conceptual work on the Wuppertal version of “Kitesh”, the Wuppertal Opera then found itself forced to completely cancel – the lockdown had prevented the planned performances in January, “Kitesh” was initially postponed to May, but even then it could neither be rehearsed nor performed, and the house found itself unable to postpone it again. Bremen, on the other hand, has now saved “Kitesh” for the coming season, where it will be further developed and performed after (!) the premiere of the new NOperas! project “Obsessions” there.
Meanwhile, NOperas! and its partner theatres say goodbye to the season break with a small digital fireworks display that summarises once again what has been created in spite of everything within the framework of this programme:
As a substitute for the announced performances, Wuppertal Opera presents on its website a short film created as part of “Kitesh” – in its theatre productions, Hauen und Stechen work with filmic material in a variety of ways, and here it is now the other way round: a filmic work that extensively incorporates material from the theatre.
At the same time, after three and a half years of daring musical theatre explorations, the Halle-based management team around Florian Lutz is now taking its hat off by staging a festival entitled “Everything Ends” at the end. With live musical accompaniment by Marc Sinan, there will be a public viewing of the “Chaosmos” film on the forecourt of the Hallens Opera House. The event will be streamed simultaneously from a “virtual opera house” created for the festival. For both, see the calendar.
In addition to the short film, which will also be presented by Wuppertal Opera, a second film by the production team on the subject of Kitesh will be available as video on demand during the festival. It will soon be available on this website, “Chaosmos – The Film” can be found here, “Kitesh / Short Film” here.